Hey Hey Usa
Ginger Tom
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Tom originalNão informado
BPMNão informado
CapotrasteSem indicação
DificuldadeAvançada
Quantidade de acordes10
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The PEACE NOT WAR CD site is: http://* http://* --------------------------------------------------------------------- PEACE NOT WAR compilation CD as 'HEY HEY, USA’. The singer uses standard tuning on his Strat. The lead guitarist plays a Gibson 335 with a brass slide, and has a dropped D tuning. Verse Chords F#m E A B / F#m E B A Bridge Chords A7 B7 C#7 C#7 Use blues-type add-ons (2nd and 5th) on each bar chord except the last C#7 chord (hold the chord while doing the hammer-on and pull-off). E |5––––––-–––-–-7–––––––––––--–9––––––-––––––-–9––-–––––––––- B |5––––––––––---7––––––––––––-–9–––––-–––––––-–9––––––––––––- G |6––––-h9p–-–––8–––––-h11p––-–10–––-–-h13p––––10–-–––––––––– D |5––––––––––––-7––––––––––––-–9––––-––-–––––-–9––-––––––-––– A |7––––––––––-–-9–-––––––––––--11–––––––––––-––11-–––––––-––– E |5–-h9p-––––-–-7––h11p–––––-–-9–-–h13p–––––-––9–––––––––-––– Chorus Chords F# A B A x3 then: F# A B C# Outro Chorus Chords F# B C# B Slide Guitar Intros The slide guitar has a dropped-D tuning. I’ve used the = symbol to indicate a slide emphasis. This is the first intro: E |–––––––––––––––––––––––––––––––––––––––-–––––––––––– B |–––––––––––––––––––––––––––––––––––––––-–––––––––––– G |–––––––––––––––––––––––––––––––––––––––-–––––––––––– D |––4––2––7––9––14––12––19––17–––––––––––-–––––––––––– A |––4––2––7––9––14––12––19––17––––––-–––-–––––-–-–-–-– D |––4––2––7––9––14––12––19––17–––––-–––––––––––––––––– E |––––––14––––––14––14–––––––––––––-––––––––––––-––––– B |––14––––––14–––––––––14––––––––––––––-––-––––––––––– G |–––––––––––––––––––––––––14––14=16–––––-–––––––––––– D |––––––––––––––––––––––––––––––––––––16–-–––––––––––– A |–––––––––––––––––––––––––––––––––––––––-–––––––––––– D |–––––––––––––––––––––––––––––––––––––––-–––––––––––– E |––––––14––––––14––14––––––––-–19=17–––––––-––––––––– B |––14––––––14––––––––––14–-17–––––––––––––––––––––––- G |–––––––––––––––––––––-–––––––––––––––––––––––––––––- D |–––––––––––––––––––––––––––––––––––––-–––––-–––––––– A |–––––––––––––––––––––––––––––––––––––––-–––––––––––– D |–––––––––––––––––––––––––––––––––––––––-–––––––––––– This is the riff between the chorus and verse: E |––––––14––––––14––14–––––––––––––-––––––––––––-––––– B |––14––––––14–––––––––14––14–––––-14=16–––––––––––––– G |––––––––––––––––––––––––––––-14-–14=16–––––-–––––––– D |–––––––––––––––––––––––––––––––––––––-–-–––––––––––– A |–––––––––––––––––––––––––––––––––––––––-–––––––––––– D |–––––––––––––––––––––––––––––––––––––––-–––––––––––– E |–––––––––––––––––––––––––––––––––––––––-–––––––––––– B |–––––––––––––––––––––––––––––––––––––––-–––––––––––– G |–––––––––––––––––––––––––––––––––––––––-–––––––––––– D |––14––12––9––7–––––––––––––––––––––––––-–––––––––––– A |––14––12––9––7-––––––––––––––––––––––––-–––––––––––– D |––14––12––9––7–––––––-–––––––––––––––––-–––––––––––– Slide Guitar Solo The slide guitar has a dropped-D tuning. I’ve used the = symbol to indicate a slide emphasis. E |–––––––––––––––––––––––––––––––––––––––––––––––––––- B |––10=9––––––––––––––––––10=9–––––––––––-–––––––––––– G |––––––-9=11=9–––––––––––––––––9=11=9–––-–––––––––––– D |–––––––––––––-9=11=9–––––––––––––––––––9==14––-–14–– A |–––––––––––––––––––––––––––––––––––––––-–––––––––––– D |–––––––––––––––––––––––––––––––––––––––-–––––––––––– E |–––––14––––14–––––––––––––––––––––-––––––––––––--––– B |––14––––14––––14––––––––––––––––––––––-––––––––-–––– G |–––––––––––––––––14–––––14=16––––––––-––––––––-–––– D |––––––––––––––––––––14–––––––––––––––––––––––––-–-–– A |–––––––––––––––––––––––––––––––––––––––-–––––––––––– D |–––––––––––––––––––––––––––––––––––––––-–––––––––––– E |–––––14––––14–––––––––––––––––––––-––––––––––––--––– B |––14––––14––––14––––––––––––––––––––––-––––––––-–––– G |–––––––––––––––––14––––-16=14-–––––––-––––––––-––––- D |––––––––––––––––––––14–––––––––––––––––––––––––-–-–– A |–––––––––––––––––––––––––––––––––––––––-–––––––––––– D |–––––––––––––––––––––––––––––––––––––––-–––––––––––– E |–––––––––––––––––––––––––––––––––––––––-–––––––––––– B |–––––––––––––––––––––––––––––––––––––––-–––––––––––– G |–––––––––––––––––––––––––––––––––––––––-–––––––––––– D |––4––2––7––9––14––12––19––17–––––––––––-–––––––––––– A |––4––2––7––9––14––12––19––17––––––––-––––––––––––––– D |––4––2––7––9––14––12––19––17––––––––-–-–-–––-––––––– E |–––––––––––––––––––––––––––––––––––––––-–––––––––––– B |––10=9––––––––––––––––––10=9–––––––––-––––––14-––––– G |––––––––9=11=9––––––––––––––––9=11=9––9=14––––-––––– D |––––––––––––––––9=11=9––––––––––––––––––-––––––––––– A |–––––––––––––––––––––––––––––––––––––––-–––––––––––– D |–––––––––––––––––––––––––––––––––––––––-–––––––––––– I can see hypocrisy in defending democracy By denying liberty at home and away I can’t say I’d rather stay at Woomera or Camp X-Ray Telling all the children their religion’s astray You wanna see the Vietnamese At the Museum of American Atrocities, and ask Hey, Hey, USA: how many children did you kill today? I can’t see the merit in our status as a deputy sheriff Taking marching orders from the USA Can’t you see there’s something wrong To repress dissent with cluster bombs For a Christian crusade in a modern age You oughta see all the refugees From the Museum of American Atrocities, and ask Hey, Hey, USA: how many children did you kill today? I’d rather see some common sense in arguments in parliaments Rather than the armaments of racist wars
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Acordes da música
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Como estudar esta cifra
Um resumo prático criado a partir dos acordes, tom e andamento desta versão para ajudar você a sair da leitura e ir para a prática.
DificuldadeAvançada
TomNão informado
BPMNão informado
CapotrasteSem indicação
Acordes diferentes10
Progressão e estratégia
Sequência detectada: a → a → a → D → F#m → E → A → B
Tem mais variedade harmônica/velocidade. Estude as trocas difíceis separadamente antes da execução completa.
- Comece a 60 BPM e aumente apenas quando conseguir manter o tempo sem parar.
- Treine primeiro as duas trocas de acorde que mais travam a mão; depois volte à música inteira.
- Use o botão de transposição acima se o tom ficar desconfortável para sua voz ou para as formas que você domina.
Ouça os acordes
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