Tom: [Intro] |-------------------------------------------8-------------------------- |------------------------------------10--11---------------------------- |-----------9--10--12-----10--10-10----------------9--9--9-9----------- |10--10-10------------10-----------------------10------------12-12-10-- |---------------------------------------------------------------------- |--8---8--8--8---8---8--8---8---8--8---8---8-8---8--8--8--8-8--8--8--8- |------------------------>>[last time] |--|----------------------|------------------------------------------- |--|--------------------:-|------------------------------------------- |--|----------------------|----10--9------7--------------------------- |10|-10--10--10--10-12----|-----------10-----8------------------------ |--|--------------------:-|------------------------------------------- |--|8--8---8---8---8--8---|------------------------------------------- F G/e VERSE 1: dull as dirt, you can't assert the kind of light that might Am Am/g persuade a strict dictator to retire fire the army, teach the poor F G origami. The truth is in, the proof is when you hear your heart C start asking, What's my motivation? F G/e and try as you may, there isn't a way to explain the kind of change Am Am/g that would make an eskimo renounce fur, that would make a vegetarian F G barbecue hamster unless you can trace this about-face to a certain sign. C F CHORUS: Shine, make em wonder what you've got, make em wish that they C F C were not, on the outside looking bored. Shine, let it shine before all F C F men, let em see good works and then, let em glorify the lord. F G/e VERSE 2: out of the shaker and onto the plate, it isn't karma, it sure Am ain't fate that would make a deadhead sell his van, that would make a F Am/g schizophrenic turn in his crayons. Oprah freaks, and science seeks a G C rationale that shall excuse this strange behavior. F G/e when you let it shine, you will inspire the kind of entire turnaround Am Am/g that would make a bouncer take ballet (even bouncers who aren't happy) F G but out of the glare, with nowhere to turn, you ain't gonna learn it on "What's My Line?" (chorus)
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