
All The Good Girls Go To Hell
Billie Eilish
Practice the chords, follow the lyrics and adjust the key to play at your own pace.
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Tom : G#m
My Lucifer is lonely
[Primeira Parte]
G#m4
Standing there, killing time
E7M
Can't commit to anything but a crime
C#m7/G#
Peter's on vacation
D#7(b9)/E
An open invitation
G#m4
Animals, evidence
E7M
Pearly gates look more like a picket fence
C#m
Once you get inside 'em
D#7(b9)
Got friends, but can't invite them
[Pré-Refrão]
G#m4
Hills burn in California
E7M
My turn to ignore ya
C#m7/G# D#7(b9)/E
Don't say I didn't warn ya
[Refrão]
G#m4 E7M
All the good girls go to hell
C#m7/G#
'Cause even God herself
D#7(b9)/E
Has enemies
G#m4 E7M
And once the water starts to rise
C#m7/G#
And heaven's out of sight
D#7(b9)/E G#m9/B E7M/G#
She'll want the devil on her team
[Próxima Parte]
C#m7/G# D#7(b9)
My Lucifer is lonely
[Segunda Parte]
G#m4
Look at you needing me
E7M
You know I'm not your friend without some greenery
C#m7/G#
Walk in wearing fetters
D#7(b9)/E
Peter should know better
G#m4
Your cover up is caving in
E7M
Man is such a fool, why are we saving him?
C#m7/G#
Poisoning themselves now
D#7(b9)/E
Begging for our help, wow
[Pré-Refrão]
[Refrão]
[Próxima Parte]
C#m7/G# D#7(b9)
My Lucifer is lonely
G#m9/D# E7M
There's nothing left to save now
C#m7/E D#7(b9)
My God is gonna owe me
G#m
There's nothing left to save now
I cannot do the snowflake!
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Song chords
View all chord diagrams →Chords used in this sheet
Reference guitar fingerings for the chords in this version.
How to practice this chord sheet
A practical summary of the chords, key and tempo to help you start playing this version.
Progression and practice
Detected progression: G#m4 → E7M → C#m7/G# → D#7(b9)/E → G#m4 → E7M → C#m → D#7(b9)
The harmony or tempo is more demanding. Work on the hard changes before playing the whole song.
- Start at 60 BPM. Speed up once you can keep time without stopping.
- Practice the two hardest chord changes first, then go back to the whole song.
- Use the transpose button if the key feels uncomfortable for your voice or the chord shapes you know.
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