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No Vacancy

Adam Gregory

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Practice the chords, follow the lyrics and adjust the key to play at your own pace.

Original keyNot available
BPMNot available
CapoNot specified
DifficultyAdvanced
Number of chords8
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Tom:
INTRO: F#
  F#maj7  B   F#   F#maj7   B  F#maj7   Abm
Down in Dallas, lord, those girls are fine.
F#maj7            Abm
In Carolina, they make you lose your mind sometimes.
Bmaj7                     F#            F#maj7
But it don't matter, it's wasted on me.
Abm                     Dbsus                  F#
'Cause everywhere I go, you are the only one I see.

[Refrão]
CHORUS:
   F#maj7             B                         F#
So hang a sign on the wall, there's no vacancy.
F#maj7           B                         F#
No more rooms at all, this heart is taken, yeah.
F#maj7          B                      F#
No more vacancies, this heart is taken.
     F#maj7          B
This heart is taken,   no vacancy.

[Próxima Parte]
F#maj7                     Abm
Try round the corner, they might have something there.
F#maj7                    Abm
Yeah this heart hotel is all booked up, nothing to spare.
Bmaj7                   F#            F#maj7
Once it was empty, but not any more.
Abm                 Dbsus                        F#
Now 'Do not disturb' is right there on the front door.

[Refrão] (repetir)
[Próxima Parte]
Bridge:
     F#     B6        F#           B6
Like Panama City on a spring break baby,
    F#         B6                  F#       B6
The whole darn town, there's not a place to stay.
    F#           B6     F#           B6
But honey you've always got the reservation,
F#    B6   Dbsus     Db     F#
Any time, every day, yeah yeah.

[Refrão] (repetir)
[Próxima Parte]
      F#
No no no,
   F#maj7
No vacancy,
B
No vacancy,
      F#
No no no.
   F#maj7
No vacancy,
B
No vacancy,
      F#

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Chords used in this sheet

Reference guitar fingerings for the chords in this version.

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F#maj7
B×
F#
Abm4ª
Bmaj7×
Dbsus×
B6×
Db4ª×
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DifficultyAdvanced
KeyNot available
BPMNot available
CapoNot specified
Distinct chords8

Progression and practice

Detected progression: F#maj7 → B → F# → F#maj7 → B → F#maj7 → Abm → F#maj7

The harmony or tempo is more demanding. Work on the hard changes before playing the whole song.

  • Start at 60 BPM. Speed up once you can keep time without stopping.
  • Practice the two hardest chord changes first, then go back to the whole song.
  • Use the transpose button if the key feels uncomfortable for your voice or the chord shapes you know.

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