
Numbers
Andy Grammer
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Tom : C#m
E F#m7 G#m7 A
Add the bass y'all
E F#m7 G#m7 A
Add the trumpet y'all
E F#m7 G#m7 A E F#m7 G#m7 A
[Verse 1]
E F#m7
Well I'm a five on a good day six
G#m7
I got plenty of things I need to fix
A
A bigger chest and dimples in my face
E
With those I could be pushin' seven or eight
F#m7
Guitar in hand add a point to my score
G#m7
No car slide me down to a four
A
Six feet with a pair of blue eyes
C#m7
Brings me back up to a five
[Chorus]
C#m7 Bm7 A7 B7
Greater than less than equal to
C#m7 A A7 B7
We're making this way to mathematical
C#m7 Bm7 A7 G#m7
The value of personality seems to be dead
C#m7 A7 A Am7
All walkin' around with numbered halo's on our heads,
[Verse 2]
E F#m7
Well threes want fours and fours want fives
G#m7
Eights think nines have much better lives
A7
And it's a reasonable question to ask
E
I guess it's all how ya doing the math
F#m7
And I can sit and I can lie to you
G#m7
And say this somethin' that I don't do
A7
But I'm another number crunchin' fool
E
Who's calculators' way overused
[Chorus]
[Bridge]
A
And I'm thinking
A E
Just one time I wish I could have a nine
A F#m7
She'd be hot and she'd be mine just one time
A7
But for every nine there's a two
E
Starting back at you
A7 A
Wishing you would do what you wanted the nine to
Em C#m7 A7
Heeey heeeeyyy
B7 Emaj7
Noooo noooo
[Verse 3]
E C#m7
90% of the mental judicial system
C#7
Is based solely on superficial intuition
A7
To me that seems a bit strange
G# C#m7
Only talk to people who we think we might be kissin'
C#7
That's a lot of ideas to be dismissing
F#m7
We leave it to humans to choose the criteria we can't change
E
It doesn't make sense, no doesn't make sense, doesn't make sense
A E A
For the numbers to be where we are concentrating
E
In my minor sense I condense in my minor sense
A E A
Asymetrical interactions simply evaporating
[Outro]
E F#m7
I'm a five on a good day six
G#m7
Got plenty of things need to fix
A
I need a formula or some sort of plan
E
To try to focus on the soda not the can
F#m7 G#m7 A
Doo Oooohhhh
E F#m7 G#m7 A E
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Cómo practicar esta cifra
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Progresión y práctica
Progresión detectada: E → F#m7 → G#m7 → A → E → F#m7 → G#m7 → A
La armonía o el tempo son más exigentes. Trabaja los cambios difíciles antes de tocar toda la canción.
- Empieza a 60 BPM. Aumenta la velocidad cuando puedas mantener el tempo sin parar.
- Practica primero los dos cambios de acorde más difíciles y luego vuelve a la canción completa.
- Usa el botón de transposición si la tonalidad no se adapta a tu voz o a las posiciones que conoces.
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